Lahum is Abu Dhabi's newest thrift

The idea had been at the back of Ameera Amir’s mind for some time: to open a thrift shop and use its proceeds to fund scholarships for children from lower-income families.

It picked up momentum, however, during early discussions about the Year of Zayed. This is apt, given the Founding Father’s commitment to principles such as education and sustainability, and respect for all mankind – values that Amir has also dedicated her working life to. Nonetheless, when she soft-launched Lahum at Abu Dhabi’s Masdar Park in January, Amir wasn’t sure whether one key part of her plan would work.

“I didn’t think really anyone would buy, because it’s a new concept,” she says. “People are used to donating clothes and those clothes going to people in need, but the concept of reselling in a thrift store?”

In the first of a series of happy surprises for Lahum, which means “for them” and refers to children, Abu Dhabi’s community has been buying away. This includes an Alexander McQueen wedding dress, sold for Dh200 to a woman who claimed she was acquiring it for a friend. When she returned to re-donate the dress, she confessed it was for her own wedding. Another woman, a lawyer, picked up several abayas to wear on a business trip to Saudi Arabia, says Amir. “She said: ‘You know, I’d hate for me as a mother not to have enough funds for my child to go to school, so I’m more than happy to support this,’” recalls Amir.

That was another adjustment Amir had to make to her expectations for the concept: she initially imagined that Lahum would appeal to and should target lower-income members of the community. “I realised that no, people are passionate about the cause.”

Amir dreams of going on to establish Lahum stores across the UAE, and hopes to create the kind of brand recognition enjoyed by similar concepts in other countries, such as Canada’s Value Village, but with a more far-reaching impact on the community.

She pays the administration costs and salaries of her two full-time employees herself, so all funds can go towards the scholarships, and she has partnered with the Abu Dhabi Education Council in low-income communities to identify children in need. In the three months since Lahum launched – the official opening is this week – the shop has already raised enough to cover at least three scholarships.

Amir’s passion for education also reflects her own feelings about Sheikh Zayed, who paid families in a newly formed UAE to send their children to school. “I made it a point to get the highest level of education myself,” she says.

“I wanted to learn so I could always do things better.” With a master’s in international affairs and sustainable economic development from Columbia University in New York, she runs her father’s business conglomerate in the private sector, holds advisory roles in the Abu Dhabi government, sits on several boards and runs a number of private businesses. Lahum’s model also reflects Amir’s passion for social enterprise over charity. One of her other initiatives, Weyakum, helps young people in the UAE realise their educational and professional aspirations. It has been recognised with an Impact of Youth Development award.

And then there is the dedication to sustainability, which is seen in every aspect of Lahum. Located in four shipping containers designed to look like an open cardboard box, it is decorated inside with recycled tyres, upcycled oil barrels, a giant sign made from old Spinney’s cartons and trendy-looking price tags fashioned from cereal boxes.Read more at:QueenieAu | formal wear brisbane


Posted by tanoshire at 20:45Comments(0)


Spectrum 2018 benefits all CSU Students

Hey Rammies! If you were at the CSU Fashion Show, Spectrum 2018 on Friday night, then you got to see the future of the fashion industry! From recycled military parachutes to evening gowns, this show had it all. The spotlights were pointed straight at the four designers who won awards for their designs, but every collection was jaw-dropping! If you haven’t heard already, you should know to keep an eye on the fab-four designers of the night! Sara Begley won Best Construction, Lauren Bruce-Lund won Most Marketable, Erica Quinones won Most Innovative, and Nicole Pink won Outstanding Designer!

If you’re a common S.O. reader, then you know that the Fashion Show requires tireless effort to create. SO, what are the benefits of the Fashion Show other than a fabulous night of fashion?

All of the students involved in the Design and Merchandising Department get a first-hand real-life experience of what it’s like to design a collection, and produce a fashion show. All hands are on deck for this event, everyone, no matter their focus of study in the Department gains valuable experience from this show. The year of planning and organizing begins almost immediately after the previous show ends. A specific class within the department decides the theme and name for upcoming season’s show.

Each subsequent decision for the show includes heavy research from none other than the forecasting-google of fashion, WGSN. If you think a textbook is expensive, think again. A single subscription to WGSN for businesses in the industry costs over $30,000. Colorado State University has an educational subscription through the library proxy server. The cost to the university is over $7000, half is paid by the library the other half by income and fundraising from the CSU Fashion Show.

Now prepare to have your mind blown… the proceeds from the Fashion Show each year benefit every single student at CSU. How? They enable every student to have a subscription to WGSN at no cost to them. Business student? Use WGSN. Engineer? Physicist? You could probably use WGSN. It’s okay; I was a Physics major during my first year at CSU. Word around the block in Physics is that some people want to wear capes when doing research. WGSN has you covered. Health and Exercise Science? You could come up with a new style of sneaker that’s fashionable and supports everyone! Every major can benefit from this site. Open your mind to a little creativity! If you’re a Design and Merchandising major, this website is in your saved tabs on your laptop. WGSN is the primary source of research for forecasting what styles to look out for and gain inspiration from for the following fashion season and more importantly the next CSU Fashion Show. It is also probably the reason you got that new shirt that you’re obsessed with. Made.com, Fila, L’Oréal, and other large corporations benefit from using WGSN, and you can too! Give the website a browse with us while we eagerly await the next Fashion Show! For students to access WGSN, go through the colostate.edu to Libraries and to the A-Z database. Choose W and find WGSN. You will need to create a user account with your rams.colostate.edu email address and verify your name and account information. Then get ready to browse the global trends for three to four years in the future.

We spoke with Carol Engel-Enright, a professor in the Department of Design and Merchandising at CSU, about her reflection on this year’s show. The CSU Fashion Show Spectrum 2018 had 24 collections, the Design program selects only 25 students every year to enter the program through a portfolio process. Carol emphasized that “Each year is bigger and better than the last! All of the students involved in the show push themselves hard to make every show better than the last.” The professor described Spectrum 2018 as “spectacular!”, and is very excited for what’s ahead.Read more at:cheap bridesmaid dresses | bridesmaid dresses


Posted by tanoshire at 15:18Comments(0)


Activist reveals an inspiring life in fashion

Vivienne Westwood at the Spring/Summer 2008 ready-to-wear show in Paris. Picture: Getty Images

An image of Christ crucified struck the teenage Vivienne Westwood with the force of a revelation. As the fashion designer and activist recalls in a new documentary about her life: “It made me aware of suffering and that I’d been lied to, it wasn’t all nice. I needed to find my own way and trust myself.”

This awareness has continued through Westwood’s life. She became a forceful advocate for Greenpeace, speaking at rallies and protesting against fracking. For Westwood, 76, the environment is a critical issue. She transformed the catwalk into a protest with her spring-summer 2016 show for London Fashion Week and drove a tank to then prime minister David Cameron’s house to nail home the point.

“She wants to talk about her activism, not about herself,” says Lorna Tucker, director of Westwood: Punk, Icon, Activist, one of the centrepieces of this year’s Sydney Film Festival. “If Viv was to edit a film about herself it would be very different and I wanted to take a step back and make a film about her that really inspired people to understand Viv and where her activism comes from.”

After making a fashion film for Vivienne Westwood’s Climate Revolution in 2013 (Red Shoes, starring Lily Cole) and collaborating on a series of short films, Tucker suggested the idea of a feature documentary.

“The biggest compliment I had was from her colleagues and close friends who said this was the most authentic portrait they’ve ever seen,” Tucker says.

“Viv will probably hate it because that’s the way she is, a perfectionist about everything, always striving to make things better. She’s an amazing icon and she gives a shit. On the outside, people just see her talking about stuff and probably think, ‘Oh there’s another celebrity actress on the bandwagon.’ I wanted to show she is really fighting hard to make it happen. She finds out about something and she asks, ‘How can I fix it?’”

Tucker was speaking backstage at the Marc Theatre in Park City, Utah, earlier this year, after her film’s premiere before a responsive, sometimes emotional, audience at the Sundance Film Festival. As we talked, theatre staff approached Tucker to thank her for her “inspiring” film.

As well as Westwood’s activism, the film gives insights about a fascinating figure in the fashion world. She began making garments from age 11 and, in her teens, left her native Cheshire for London. She met Malcolm McLaren, who found shop space in which to sell records while Westwood made and sold her clothes. The shop’s ever-changing punk themes, culminating in the World’s End store, were a precursor to Westwood creating for seasonal fashion shows.

On screen the designer is palpably bored with talking about the Sex Pistols. She also grew bored of their manager McLaren. “He kept on doing the same thing,” she says. “He should have changed to do something else by now.”

Meanwhile, Westwood found that punk anarchy could only go so far, saying, “We weren’t attacking the system at all, we were part of the distraction.”

The success of her collections, notably the pirate-inspired designs and the colour, pattern and energy that Westwood injected as a riposte to punk, brought her wide attention.

She set her sights on an international market.

In Italy she came close to securing a major partnership but, in a spectacular display of sour grapes, McLaren sabotaged the deal. Back in Britain, and on social security, Westwood got out her old sewing machine and renewed a lease on the World’s End store.

“She doesn’t even complain about it, which is why I bring in her family and friends at that point in the film to explain what happened and how bad it was,” Tucker says.

“She doesn’t dwell on it but it could have destroyed her. The audience needs to see that, because what she did can inspire people.”

A major figure in Westwood’s life is her husband and design collaborator Andreas Kronthaler, who she met in Austria and with whom she has collaborated since. A former Olympic sports shooter and 10 years Westwood’s junior, Kronthaler says he is “besotted” and that his wife embodies everything he loves. There is a wonderful photo montage where we see the pair wearing matching dresses and outrageous designs.

There is a comment in the film that they work on the body like old-style couturiers. “I was incredibly lucky to observe them working together,” Tucker says.

“What I really admire is just how much they care about women’s bodies and how they accentuate, make women powerful whatever their figures. It was like watching magic happen.”

Despite Westwood’s talent, it took a long time for her to be acknowledged by her peers. Commentators in the film say she was initially considered a joke but eventually, because of pressure from critics, she could no longer be ignored and was awarded designer of the year in 1990 and 1991.

In March 2016, Westwood changed the name of her Gold Label collection to Andreas Kronthaler for Vivienne Westwood, while she continues to design the Vivienne Westwood men’s and women’s collections. Many fashion houses are owned by corporations, but Westwood still owns and controls the company she founded.

Dressed in vivid coats, scarfs, boots and fishnets, cycling through London streets to her design studio or riding a tank to confront the prime minister about the environment, Westwood embodies her own fashion talk. “You’ve got to cut a figure,” she says of her clothes. “You’ve got to be prepared for action and engagement.”

To quote former Vogue editor Carine Roitfeld, who appears in the film, “She’s a punk rocker. She’s the only punk rocker.”

“Vivienne really inspired me because she came from nothing really,” Tucker explains. “She says, ‘Just don’t give up. Come on, Lorna, this is what you want to do, it’s going to be tough, but just do it and stop moaning.’ Before this project I’d worked with her briefly when I was coming out of a divorce and with a child. I wasn’t very aware of what was going on in the world, the environment, human rights, I just didn’t have any knowledge of that. Viv literally gave me a crash course that blew my mind.

“It made me want to do something, so I praise her as that turning point in my life.”

Asked if anything surprised her while she was making the documentary, Tucker says: “I was surprised at how much she works and where she gets her energy from. At her age she is looking incredible, she doesn’t believe in plastic surgery. She suffers no fools, and she really is driven to make a difference in the world and dedicated to making change.”Read more at:sydney formal dress shops | blue bridesmaid dresses


Posted by tanoshire at 17:20Comments(0)


Fashion-related fundraisers

Philanthropic fashionistas, take note.

You can get your wardrobe on point and support nonprofits that aid children and women at two fashionable fundraisers in the next few weeks.


First up: Angel Charity for Children’s Bags, Baubles, and Ball Gowns-A Resale Shopping Event and Party on Thursday, April 12, at Skyline Country Club, 5200 E. St. Andrews Drive.

The event will kick off the fundraising year for Angel Charity, which has raised more than $26 million to assist more than 1 million children during the past 35 years.

Bags, Baubles and Ballgowns will feature more than 1,500 new and gently-used cocktail dresses, gowns, “after-5” wear, shoes, accessories and handbags.

The inventory includes sizes up to 20 and offers a range of upscale and fashionable designer labels.

It provides an opportunity for women to purchase chic fashions — many of which are new with tags — for reasonable prices, according to Jennifer Coyle, event chairwoman.

“This is a resale shopping event and a party. Items are priced to sell, with most items priced in the $10 to $25 range. Not only will our guests find fashionable treasures at great prices, it is also a fun evening out with your girlfriends shopping and sipping champagne,” said Coyle.

The fundraiser also provides a chance for women to purge their closets of clothing and accessories that they may no longer wear.

“Our event is a great way to recycle and shop for used clothing that actually isn’t very old at all,” said Coyle.

Best of all, Coyle emphasized that funds raised will be directed toward eight local nonprofits this year. The major beneficiary is Tucson Village Farm, an education-based urban farm that reconnects youth of all ages to a healthy food system and teaches them how to grow and prepare fresh food. It currently serves about 13,000 Pima County children annually with focus on at-risk and low-income youth.

Angel Charity has pledged $445,000 to build the Angel Charity Culinary Education Center for Children featuring an on-site commercial kitchen with education stations at the Tucson Village Farm.

Carla Keegan, 2018 general chairwoman, said the kitchen will facilitate the farm’s seed-to-table mission, enabling children and their families to learn about healthy cooking and nutrition, while also providing revenue for the organization through the sale of goods and rental of the space.

“Only 2 percent of children under age 18 in Pima County receive their recommended daily servings of vegetables ... it makes sense that if we can teach kids how exciting it is to grow vegetables and even better, how great they taste. They will want to prepare them for snacks when they come home from school and include them in their dinners. We want to help them establish nutritious eating habits for life,” Keegan said.


Eagles Wings of Grace Clothing Ministry is another organization dedicated to improving lives.

It hopes to garner awareness and support at the Getting Ahead 4th Annual Fashion Show at 11:30 a.m. April 14 at St. Andrews Presbyterian Church, 7650 N. Paseo del Norte.

The fundraiser will feature the latest trends with Fashionfix by Jo Young; proceeds will benefit the ministry’s effort to provide professional and leisure clothes, shoes, accessories and toiletries for disadvantaged women who are making an effort to become assets to the community.

“These are women who are coming out of some sort of devastation — incarceration, domestic violence and abuse, alcohol or drug abuse — and they are basically starting over with nothing. They must be in some sort of system or program — many are in recovery — and they are just trying to get their lives back. It is great ministry to help women in need,” said Jacline Lown-Peters, executive director for the all-volunteer organization, which was founded 11 years ago.

Eagles Wings of Grace works with more than 60 local nonprofits and social service agencies, including CODAC, Cope Community Services and Cenpatico Integrated Care. The ministry serves between 15 and 20 clients weekly, providing free “shopping” for everyday and professional clothing and accessories suitable for job interviews. It also provides undergarments, casual clothing, shoes, toiletries and hair- and skin-care products at 3219 N. First Ave. The ministry also supplies professional and casual clothing for the Pima County Sullivan Jackson Employment Center, which provides job-training opportunities for homeless men and women.

Lown-Peters, who discovered the clothing ministry two years ago while searching for a home for her professional wardrobe post-retirement, said volunteering helps her to count her blessings.

“When I hear the stories these women tell, I am so grateful my parents provided for us. We weren’t wealthy — my dad was in the military — but I wasn’t neglected or abused and we never experienced poverty like these women. It reminds me daily to be grateful for what I have. This world is such a hard place to live in, and if we can help someone else have a bit better journey, the better it is for all of us,” she said.Read more at:green formal dresses | pink formal dresses


Posted by tanoshire at 12:04Comments(0)


Barbie immortalizes fashion guru Apfel

Mattel toys has announced a new Barbie doll honoring Iris Apfel, the 96-year-old Jewish fashion guru.

The Apfel doll wears the same green Gucci suit and jewels that the real-life Apfel wears on the cover of her latest book, Accidental Icon, the New York Post reported last week.

The new Apfel Barbie will not be available for sale; however, this fall, Barbie will release a “Styled By” Barbie inspired by Apfel, wearing her signature oversized glasses and layers of chunky beaded necklaces from Apfel’s Rara Avis collection, Fashionista reported.

Apfel, a New York-born fashion journalist and illustrator turned designer, won the Women Together Special Award in 2016. In 2005, the Costume Institute at the Metropolitan Museum of Art in New York premiered an exhibition about Apfel’s style titled “Rara Avis.”

Since 2014, she has been the subject of two internationally distributed documentaries: “Iris” by Albert Maysles and “If You’re Not In the Obit, Eat Breakfast.”

Earlier this month, to celebrate International Women’s Day, which was March 8, Mattel released a “Sheroes” collection featuring more than 15 one-of-a-kind doll versions of inspiring women, including Olympic gold medalist Chloe Kim, ballerina Misty Copeland and artist Frida Kahlo.Read more at:formal wear melbourne | formal dresses


Posted by tanoshire at 12:42Comments(0)


Young Christchurch fashion designer

From the back room of his Christchurch flat, Steven Park slowly stitches the finishing touches on a jacket made from a woollen blanket he found at an op shop.

"Anything to do with my hands I've always enjoyed, you know, like making origami horses, that was really fun," Park said.

The 25-year-old designs clothes, shoes and accessories under the "6x4" brand name. Park's point of difference? He does everything himself.

"I sew everything, I cut everything, if I'm going to dye the fabric I'll try and dye it myself, so make the natural dye too."

Avocado stones lie drying on his doorstep. Nearby a tray of walnuts are almost ready, both destined to form a dye for Park's garments.

"It's very labour intensive and not many people do things that way nowadays, so I guess that's why my garments are different," he said.

Park studied at the Elam School of Fine Arts in Auckland and spent a semester in New Jersey, in the United States. He graduated with honours in 2015.

While at university, Park became frustrated by the waste from fine arts projects and set out to create clothing and art people would use. His company 6x4 was born.

He travelled to Paris in 2016 to work in "the centre of the clothing industry, to see what it was like for myself".

"I wanted to make sure that I was happy making clothing . . . there are a lot of things that I find problematic in the garment industry, both socially and ethically, and I wanted to see if that was publicly addressed in any way in the fashion system."

After a year working at various fashion companies, including three seasons at the acclaimed label Comme Des Garcons, Park said his concerns "weren't really addressed or talked about at all – it was quite disheartening".

"It was just a quick turnover of seasons, designers burning out, those sort of things."

Park will talk at the Centre of Contemporary Art (CoCA) at 1pm on Saturday about impractical art and the environmental and ethical difficulties of the fast fashion industry.

Deciding to make everything himself was "empowering", Park said. Alongside fashion, he is a painter and woodworker, producing furniture and wooden artefacts.

"You get to understand what the process is like, and how hard it is, you know, how hard it is to dye fabric when you're just using walnuts or whatever.

"I try to use stuff that is waste anyway, but it's really labour intensive and takes a lot of knowledge about chemistry, which I don't really have, so it's a lot of trial and error."

Park's work is for sale at the Ng Clothing Boutique on Madras St, as well as stockists in Wellington and Auckland.Read more at:year 10 formal dresses | cheap formal dresses australia


Posted by tanoshire at 15:50Comments(0)


Bad Beauty Habits You Should Avoid Definitely

We have zeroed in on some of the worst skin care habits that should be avoided at any cost. These habits can have long-lasting negative effects on the overall appearance and health of your skin. Just make things easy for your skin by breaking free from the below-stated habits.

1. Sleeping With Makeup

On Most of us have slept with makeup on at some point or the other. However, this is one of the worst skin care habits that should be avoided at any cost.

2. Over Cleansing

The Skin As per skin care experts, cleansing is a must-do skin care step; however, overdoing it can do more harm than good to your skin.

3. Picking Or Squeezing Pimples

Picking or squeezing pimples may seem like an easy way out. However, this can cause severe infection and lead to unappealing breakouts and stubborn scarring.

4. Ignoring The Area Around Your Eyes

The skin around your eyes is thin and sensitive. Despite that, most women forget to pay enough attention to this area, thereby leading to dark circles, puffy eyes and even wrinkles. Break free from this skin habit to make sure that the area around your eyes looks refreshing and youthful at all times.

6. Using Too Many Products

This is another common skin habit that can wreak havoc in your skin’s appearance and health. Using too many products can do more harm than good to your skin. It can strip your skin off of its natural moisture and shine. So, instead of using too many products, just use a few essential products to make sure that your skin stays healthy and glows radiantly.

7. Using Harsh Cleansers

Facial cleansers that are infused with harsh chemicals can adversely affect the health and appearance of your skin. The chemicals present in such cleansers can rob your skin off of its natural moisture and leave it feeling dehydrated.

8. Not Moisturizing The Neck Area

A majority of women these days make the common mistake of not moisturizing their neck area. This causes the skin on your neck to display premature signs of ageing and at times look darker than your facial skin.Read more at:formal dresses | cheap bridesmaid dresses australia


Posted by tanoshire at 18:49Comments(0)


Pashmina is posh again

A decade ago, shawls were seen as heirlooms that were worn only on momentous social occasions. They’ve got a stylish makeover now as everyday wear rather than as a protective layering in cold wintry weather.

Texturally too, shawls have changed to become less shimmery and are not as heavily decorated with embroidery as before. From heavy hand-woven shawls like the Kullu variety, they have become almost wafer-thin in their modern update. The lighter look has made shawls more popular with young wearers.

Pashmina wool (‘soft gold’ in Kashmiri), has now become an easily accessible product. The wool itself is sourced from four distinct breeds of the Cashmere goat commonly found in Kashmir, Himachal Pradesh, Nepal and parts of Pakistan. Pashmina mufflers, stoles, and shawls are all part of the modern middle class wardrobe these days.

Bridging the gap

The popularity of these shawls can be seen from the fact Jaypore, an online brand, recently curated a pop-up at its outlet at Garden of Five Senses in Delhi, where the star of the show was the Kani Pashmina shawl. Made by weaving coloured yarn wound on small wooden sticks called Kani that serve as the weft, they are made to pass through the warp as per a written code.

“Right from the full-scale coded drawing of the design, called a talim, made by the naqqash to meticulously recording the pattern for further designs, a Kani shawl is so complicated, that it can take up to a year for two weavers working together. The motifs and colours in these shawls are inspired by the Chinar tree,” says Radhika Chhabra, Head of Clothing and Accessories at Jaypore.

Shruti Sancheti’s upcoming collection of Pashmina shawls will be unveiled at Who’s Next in Paris. She has given an international look for the discerning fashion lovers in the West.

Sancheti says: “In Paris, I will showcase Pashmina as a lightweight and luxury accessory which can be worn according to the season.” Trying to show its versatility, Sancheti will draping Pashmina wear in different styles on her models. “Using lace with wool makes for a more dressy shawl since it gives a dash of feminine detail and touch of elegance. Metallic fibres such as lurex give a metallic shine, and make it ideal for evening wear.”

Natural colours

As a designer, Sonal Verma believes that she has the power to narrate a beautifully woven narrative through Pashmina. “New embroidery has changed the look and feel of the traditional shawl. The traditional heavy borders have been replaced with geometric motifs or contemporary patterns like embroidered bugs,” says Verma.

Verma uses a blend of Pashmina that ranges from 12 to 15 microns. “Whenever I can, I stock up on these shawls in natural colours. And then add value by surface ornamentation in leather.”

She also uses wool, silk and cotton thread embroidery to create fast fashion pieces. “Many silhouettes are being experimented with shawls. There are asymmetrical shawls, jacket shawls, overlapping shawls, stole sizes also turned into ponchos, and a Kimono-style open shawl. We do a blend of silk and wool, wool silk and lurex,” says Verma.

But there are still fashion industry stalwarts who want to resuscitate Pashmina in its original avatar. One such personality is Varuna Anand, who recently promoted high-end embroidered Pashmina shawls at The Splendor of Kashmir at Hotel Imperial. And she is euphoric that youngsters are aware of the kind of worksmanship that goes into it.

“They are indulging themselves in Pashmina as it has more detailing and their curiosity to know every little detail means that it has a future,” says Anand, who showcased the work of artisans from Srinagar at her show.

These shawls are very different from the ones seen on ramps. “We still have fantastic craftsmen in Kashmir. These shawls are traditional, which you don’t get to see in Delhi. I don’t do any blending of wools and educate people that these are labour-intensive products.” A textile expert and founder of The Splendor of Kashmir, Anand got enlightened about Pashmina after getting married into a Kashmiri family. “It was an eye-opener for me and I have been working with local weavers in the Valley for the last eight years,” she says.Read more at:cheap formal dresses australia | long formal dresses


Posted by tanoshire at 15:48Comments(0)


Meet Trenna Seney

Cardi B may rap about her love for Saint Laurent and Christian Louboutin, but she also has a heart for up-and-coming designers. Just a few weeks ago, she obsessed over the newest addition to her jacket collection on Instagram, courtesy of Trenna Seney, the 26-year-old behind custom clothing brand, 1 of 1 NYC. “I love this,” Cardi said on the photo-sharing platform.

The budding fashion star first caught Cardi’s attention on the set of the TV series that kicked off the rapper’s career, Love & Hip Hop: New York. “The makeup artist for the person I worked for on the show also did Cardi’s makeup and she introduced me to her on set,” Seney tells Billboard Style. “From the show, to back when she was dancing at the club, Cardi has had the same makeup artist, and I’ve always been friends with that person. One day I told her I wanted to make something for Cardi, and she was actually the one who encouraged me to do it.”

Seney never thought she would be a designer. She has only been making custom clothes since she quit her jobs at the Apple store and jeweler back in January 2017, so she was unsure at first of what to make for the standout artist.

“I’m still new at this,” she confesses. “I love how humble Cardi is, she really is the nicest person. I don’t ever want her to change. I channeled this sentiment and made a leather jacket for her with the phrase ‘Just A Girl From THE BRONX’ hand-painted on the back. I elevated it by placing 231 gold studs above the words, which took me a good four hours to complete.”

Since finishing the look for the "Bodak Yellow" breakout star, Seney has been caught in a whirlwind of adventure. “I have a funny story about how I got the jacket to Cardi actually,” she says. “The week before she posted it on the ‘gram, I dropped it off to her makeup artist in Harlem. I get it there, head back home and three minutes before I reach my house, I completely run out of gas on the highway. My dad had to bring me gas, and it was a mess -- but I was thinking that at least the jacket was on its way to Cardi. Then a week later, she was wearing it.”

The hip-hop sensation from The Bronx isn’t the only artist who gave Seney a seal of approval. 2 Chainz was the first to notice and wear her designs on his Pretty Girls Like Trap Music Tour. Over the Thanksgiving holiday weekend, Flo Rida flaunted the camo jacket she designed for him that said “Hola” on the back in honor of the name of his newest single featuring Maluma. The young creative is all about the hustle of getting her name out there and is even expanding her clothing line into accessories.

"I pride myself in my brand," Seney explained. "Like it says in the name, when I make clothes for you it’s going to be one of one. I paint everything by hand, so I’m never going to be able to do something exactly like I did before and that’s what makes it special.” You can also catch some of her items in person at Bulletin, a store located in SOHO which features a unique array of clothing you can’t get anywhere else.Read more at:bridesmaid dresses | formal dresses


Posted by tanoshire at 19:22Comments(0)


Maison Alaïa to Continue With Collections

Maison Alaïa, still reeling from the death of its founder last month, said Monday it would continue to create new collections — and ramp up exhibitions devoted to its fashion legacy and know-how.

Its next ready-to-wear and accessories collections are to be presented in January and March, according to the Paris-based house, but no information was provided on who will design them.

While little is known about the inner workings of the studio, Caroline Fabre Bazin is Maison Alaïa’s studio director and the late couturier’s first assistant is Japan-born Hideki Seo.

An Azzedine Alaïa retrospective is slated to open at London’s Design Museum in May, as reported.

On Monday, the fashion house enumerated a series of exhibitions and events, working with various collaborators from the Alaïa “family” and kicking off with an exhibition timed for Paris couture week in January curated by Olivier Saillard, who was behind a major Alaïa retrospective that marked the reopening of Paris’ Musée Galliera in 2013. The new exhibition will be held at the house’s headquarters in the Marais district, at the Galerie Alaïa, on Rue de la Verrerie.

Timed with the London Alaïa retrospective, meanwhile, will be the opening of the Compagnie Financière Richemont-owned brand’s first London flagship, located at 139 New Bond Street. The iconic designer, who died of heart failure, had helped to curate the show alongside Mark Wilson, chief curator of the Groninger Museum.

The couturier’s art foundation, the Azzedine Alaïa Association — which he began in 2007 with his life partner, the painter Christophe von Weyhe, and Carla Sozzani, the Italian retailer and his constant sidekick — will also become the Azzedine Alaïa Foundation, gathering works collected across 50 years at the Rue de Moussy headquarters, where he lived and worked. It also boasts a library dedicated to fashion and culture that will be made available to researchers.

The house plans to stage a series of exhibitions covering topics including fashion and design. Maison Alaïa also plans to sponsor scholarships for promising young talent, according to the company.Read more at:formal dresses online | bridesmaid dresses australia


Posted by tanoshire at 12:31Comments(0)


現在の読者数 0人